Packing the penetrating-stare clarity of a Daguerreotype, the harpsichord’s tinsel tinkle could glint through a lush orchestral arrangement like lemon through butter, and put a sparkly sprinkling of magic dust on top of the whole joint. As a garnish, it imparts a kaleidoscopic gleam and brightness of sound that recommended it to the baroque inclinations of much pop of the day. That sound is a tangible, celestial chime that’s at once visual and visceral, substantive and ethereal. After the Beatles spawned a million bands and proved to the world how many records could be sold, any upstart band-or parent or aspiring agent or producer with a band-who had a little money could go into a studio and cut a record for peanuts. In addition to the availability of harpsichords (as well as inexpensive guitar-amp combos sold at department stores like Sears) the rise of the instrument in pop recordings coincided also with the rise of pop recordings as a whole. By the end of the decade the Zuckermann kit would sell more than 10,000 units-that’s a lot of harpsichords, man. Developed by a Manhattan-based amateur musician and harpsichord maker named Wolfgang Zuckermann, this simple triangular model sold for $150 (not including the plywood)-a relatively affordable price for the ambitious would-be harpsichord-tickler. One was the introduction in 1960 of a build-at-home harpsichord kit known affectionately as the “Model T” harpsichord. The rise of the harpsichord in pop recordings came about amid a confluence of circumstances. But what was it about this boxy, donkeyish uncle of a piano that could transcend such disparate contexts? And what made it such a ubiquitous presence internationally in the music of the 1960s? Between 19 the harpsichord lit up recordings by everyone from Miles Davis to Brigitte Bardot, the Beatles to the Four Tops, Elton John to Waylon Jennings. It flavored songs about flowers, love, war, girls, boys, space, flying, dreaming, and your mind. A surprisingly versatile spicing agent in a time of experimentation, the harpsichord nestled up more or less convincingly alongside such improbable bedfellows as banjos, mandolins, timbales, saxophones, jew’s harp, kazoos, harmonicas, tablas, and sitars.
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Its clarion twinkle graced ads and movie soundtracks, jazz and country, bubblegum pop and soul, R&B and glassy-eyed psychedelia. For a minute there it was everywhere, casting its dappled, stained-glass sunlight throughout pop culture. If you're looking for a particular The Lawrence Welk Show actor or actress, then type their name into the "search" bar to find them directly.The harpsichord was an uncharismatic, unlikely star of the 1960s, an underdog that somehow clanged its way out of the past to resonate with the times. In most cases you can click on the names of these popular The Lawrence Welk Show actors and actresses to find out more information about them. If you are wondering, "Who are the actors from The Lawrence Welk Show?" or "Who starred on The Lawrence Welk Show?" then this list will help you answer those questions. This cast list of actors from The Lawrence Welk Show focuses primarily on the main characters, but there may be a few actors who played smaller roles on The Lawrence Welk Show that are on here as well.Įxamples of items on this list include Aladdin and Dick Dale You can various bits of trivia about these The Lawrence Welk Show stars, such as where the actor was born and what their year of birth is. This list includes all of the The Lawrence Welk Show main actors and actresses, so if they are an integral part of the show you'll find them below. The Lawrence Welk Show cast list, including photos of the actors when available.